Valerie Patterson has always been the unwanted daughter, the one with the scar birthmark. Valerie's
parents rejected her from the moment she was born, because she has an ugly scar on her face.
Valerie's parents hid Valerie away and despised Valerie so much. After years of enduring her father’s
indifference and her mother’s cruelty, she has one thing to hold onto, the promise, that her birthmark
will disappear when she finds true love.
Valerie saved Mr Andrew hill's and had a one night stand with him. Mr Hills discovered that the
woman who saved him was from the Patterson family. Mr Hill visited the Patterson family to marry
the woman who saved him and also to make it up to Valerie.
When billionaire Andrew Hill arrives to propose to Valerie, it was Valerie's sister that Richard
Patterson presented to Mr Hills, Richard said that he has only one daughter which is Daphne, Mr
Andrew hill's didn't not actually know the face of the woman that saved him but he was convinced
that the woman is from Patterson family and if Mr Patterson said he has only one daughter then it
must be Daphne who saved him Last night. But as they continue with the marriage arrangements Mr Andrew Hill's come to know that the
Patterson family was hiding something from him.

Andrew believes he’s found the woman he spent a magical night with, but he’s being deceived.
Mr Patterson and Mrs Patterson determine to hide Valerie from Mr Andrew hill's even when he is very close to finding Valerie. Mr and Mrs Patterson hated Valerie, they don't want
Valerie to marry Mr Andrew hill's instead they want their beloved daughter Daphne to have
the better life that belongs to Valerie
An unexpected twist of fate puts Valerie in the spotlight.

THE CEO'S FORGOTTEN HEIRESS 


Valerie’s Pov
"It’s been hours, Jameson, bring the car around please,” Anna's voice is soft, comforting as I come to.. She sits by head petting my hair. It's short now, choppy again.
Jameson yells a faint, “Okay.”
“It’s ok, honey. Jameson's bringing the car around." She says. I can feel the w...

THE PHONE