強引な婿
「お義母さん：いい婿さん、お願いだから私の娘から離れないでくれない？」
義母から次々と浴びせられる侮辱に耐える婿。彼が待ち望んでいたのは彼女からのたった一言の気遣い。それさえあれば、彼女に全世界を捧げるつもりだった！
義母から次々と浴びせられる侮辱に耐える婿。彼が待ち望んでいたのは彼女からのたった一言の気遣い。それさえあれば、彼女に全世界を捧げるつもりだった！
7 Stories of Aurelia Voss
지배적인 사위
장모: 좋은 사위, 제발 내 딸을 떠나지 말아 줄래요?
사위에게 끝없는 모욕을 주더니, 그는 그녀의 한마디 관심만 기다렸을 뿐인데, 그 한마디로 그녀에게 온 세상을 안겨주려 했던 것을!
사위에게 끝없는 모욕을 주더니, 그는 그녀의 한마디 관심만 기다렸을 뿐인데, 그 한마디로 그녀에게 온 세상을 안겨주려 했던 것을!
Mapangahas na Manugang
Biyenan: Mabait na manugang, pakiusap, huwag mong iwan ang anak ko, pwede ba?
Ang manugang na lalaki ay walang katapusang ininsulto, naghihintay lang siya ng isang salita ng pag-aalala mula sa kanya, at ibibigay niya ang buong mundo sa kanya!
Ang manugang na lalaki ay walang katapusang ininsulto, naghihintay lang siya ng isang salita ng pag-aalala mula sa kanya, at ibibigay niya ang buong mundo sa kanya!
Con Rể Bá Đạo
Mẹ vợ: Con rể tốt, mẹ xin con đừng rời bỏ con gái mẹ được không?
Người con rể chịu đựng vô vàn sỉ nhục, anh chỉ chờ một lời quan tâm từ cô, sẽ trao cho cô cả thế giới!
Người con rể chịu đựng vô vàn sỉ nhục, anh chỉ chờ một lời quan tâm từ cô, sẽ trao cho cô cả thế giới!
ลูกเขยผู้ทรงอำนาจ
Translation Analysis
Genre & Style: Contemporary Chinese fiction with family drama elements, dialogue-heavy with emotional themes.
Cultural Elements: Family relationships (mother-in-law/son-in-law dynamics), traditional gender expectations.
Narrative Structure: Direct dialogue followed by narrative description revealing emotional conflict.
Thai Translation:
แม่ยาย: "ลูกเขยคนดี ขอร้องละ อย่าทิ้งลูกสาวฉันเลยนะ ได้ไหม?"
ลูกเขยที่ถูกดูถูกอย่างไม่มีที่สิ้นสุด เขาเพียงรอคำห่วงใยสักคำจากเธอ แล้วเขาจะมอบทั้งโลกให้เธอครอบครอง!
Translation Notes:
Used "แม่ยาย" (mother-in-law) and "ลูกเขย" (son-in-law) to maintain proper Thai kinship terms
Translated "好女婿" as "ลูกเขยคนดี" to preserve the affectionate/pleading tone
Rendered "上门女婿" (live-in son-in-law) as simply "ลูกเขย" with context of being disrespected
Used "ทิ้ง" (abandon/leave) for emotional impact in Thai
Added "ครอบครอง" (possess) to "มอบทั้งโลก" (give the whole world) for literary flourish in Thai
Genre & Style: Contemporary Chinese fiction with family drama elements, dialogue-heavy with emotional themes.
Cultural Elements: Family relationships (mother-in-law/son-in-law dynamics), traditional gender expectations.
Narrative Structure: Direct dialogue followed by narrative description revealing emotional conflict.
Thai Translation:
แม่ยาย: "ลูกเขยคนดี ขอร้องละ อย่าทิ้งลูกสาวฉันเลยนะ ได้ไหม?"
ลูกเขยที่ถูกดูถูกอย่างไม่มีที่สิ้นสุด เขาเพียงรอคำห่วงใยสักคำจากเธอ แล้วเขาจะมอบทั้งโลกให้เธอครอบครอง!
Translation Notes:
Used "แม่ยาย" (mother-in-law) and "ลูกเขย" (son-in-law) to maintain proper Thai kinship terms
Translated "好女婿" as "ลูกเขยคนดี" to preserve the affectionate/pleading tone
Rendered "上门女婿" (live-in son-in-law) as simply "ลูกเขย" with context of being disrespected
Used "ทิ้ง" (abandon/leave) for emotional impact in Thai
Added "ครอบครอง" (possess) to "มอบทั้งโลก" (give the whole world) for literary flourish in Thai
Menantu yang Dominan
Ibu Mertua: Menantu baik, tolong jangan tinggalkan anak perempuanku, ya?
Menantu pria yang tinggal di rumah mertua merasa terhina tanpa henti, dia hanya menunggu satu kata perhatian darinya, lalu dia akan memberikan seluruh dunia untuknya!
Menantu pria yang tinggal di rumah mertua merasa terhina tanpa henti, dia hanya menunggu satu kata perhatian darinya, lalu dia akan memberikan seluruh dunia untuknya!